Philip Hillege Interview: The Skins Co-Founder On 25 Years Of Niche Retail

Philip Hillege

I’m sure many of us have fantasised some time or another about owning our own perfume store. The ambience, the brands we’d stock, how we’d do things differently… Well, Philip Hillege did just that in 2000 with Skins Cosmetics (shortened to Skins in 2024) when he and his business partner at the time, Michiel Poelmans, pioneered niche fragrance and skincare in the Netherlands.

Twenty-five years later, the original store in the “9 Streets” shopping area of Amsterdam’s Runstraat is well on its way to expanding to 16 in the Netherlands, three in Belgium and two in Germany. This major spurt in expansion is thanks to an injection of capital from Vendis Capital.

Philip Hillege - Skins Amsterdam Runstraat
FIRST IN STORE: The OG Skins in Amsterdam, the Netherlands. IMAGE: Skins NL.

I’m based in Johannesburg, South Africa, where I’ve got to know Skins through its franchise deal with African Sales Company. Starting out with one store in Sandton City shopping mall in 2016, the local Skins tally now stands at six stores, with another four to five to follow in the future, according to Philip Hillege.

Skins Signage Sandton City

I got to see creative director Philip Hillege when he was in Johannesburg last year as part of the local contingent’s Meet the Creators event. But as it was all a bit of a whirlwind, we set aside time at a later stage for a proper interview.

Philip Hillege
FOUNDERS: Philip Hillege at the Skins Meet The Creators event in Johannesburg in 2024.

Here, Philip Hillege talks about 25th anniversary plans, how the market has changed in the last quarter century, how they select brands for the Skins portfolio and why large investment was necessary for the growth of the business.

AS IF ROLLING OUT MORE STORES THIS YEAR ISN’T ENOUGH, DO YOU HAVE ANYTHING ELSE PLANNED?

In what has become a tradition over the last five years, every year we launch a collaboration with a brand creating our own product, which also carries the Skins name.

Philip Hillege - Skins x Salle Privee
IMAGE: Skins NL.

So, in June, we will be launching a collaboration with Juliette Has A Gun. We’ve been involved with this brand from day one. Now, they are a very big brand. The previous perfume collaborations have been with relatively smaller brands. So, yeah, a very ambitious project. It’s a matter of trust and friendship that we do this kind of thing.

Romano Ricci
COLLABORATION: The Skins and Philip Hillege relationship with Juliette Has A Gun founder Romano Ricci goes back almost 20 years. IMAGE: Say Who.

Also, we’re planning to launch body, home and fragrance products under our own Skins name, since the collaborations with Skins have been so successful and people trust us.

We’ve set up a separate team for that. I’m not sure if we will launch this year because a lot of testing must be done with stability tests, etc. We’re still in a process of developing the perfume.

YOU DON’T WANT TO RUSH INTO SOMETHING LIKE THIS BECAUSE IT OBVIOUSLY WILL CARRY THE SKINS NAME. SO YOU WANT IT TO BE AS GOOD AS IT CAN POSSIBLY BE BEFORE YOU LAUNCH…

Exactly, because we don’t make concessions. We will develop these products together with great perfumers of brands in our network. We will never take some formula off the shelf, so working on the formula and the texture is a big process.

“We will never take some formula off the shelf, so working on the formula and the texture is a big process” – Philip Hillege

GOING BACK TO WHEN YOU LAUNCHED IN NOVEMBER 2000, HOW WOULD YOU DESCRIBE THE MARKET THEN?

The market was very saturated, and still is, especially in our small country, the Netherlands, with department and drug stores selling the same brands and all about discounts.

Laura Mercier
IMAGE: Laura Mercier.

We were ambitious and I shall always make a little joke that the word “disruptor” was invented in 2001. We were a disruptor at the time in 2000, and it was our plan to shake up the market with brands which were all new to the Dutch market.

Aesop from Australia was one of the first of the seven brands of our portfolio. Laura Mercier was a few years on the market in the US. We made a list of cool brands with dedicated founders on board, which had a different mission and distribution. For example, Frédéric Malle.

Philip Hillege - Aesop

We saw a new movement starting, also on service. In the Netherlands, all shops closed at six o’clock, and I was in my first job after studying at the Dutch company Herome Cosmetics.

When you wanted to go shopping, it would have to be on the weekend, because you worked from nine to six during the week. So we said we will open seven days a week, which was, at that time, rare, and until eight o’clock in the evening.

BUILDING CUSTOMER LOYALTY IS SO IMPORTANT IN THE RETAIL ENVIRONMENT. HOW DID YOU GO ABOUT THAT?

Salespeople working in a cosmetics store are pushed by targets for brands. Every week, there’s a different promotion. If you walked into a perfumery store, you would be pushed to that brand. So I knew that people would never get honest advice. And we always said from day one to all our team members, give personal advice, see what the customer likes.

The Grey

Give them samples if they want to test it first, no pressure to buy because the buying pressure in our market was always buy now, get this discount or whatever.

“The customer loyalty from honest advice is one of the key factors in our service”

The customer loyalty from honest advice is one of the key factors in our service. Sometimes brands want to send a promotion girl for the weekend from Paris. But we don’t do that because it will send a wrong message to our customers, of pushing only that brand.

The thing we do in our stores are the events with the brand founders. These founders sometimes visit us for a weekend and then they are in the shop. Yeah, that’s fine. Even when we grow bigger and 25 years later, we really want to stay close to our DNA.

BENOIT ET MOI: Me and Ex Nihilo co-founder Benoît Verdier at the brand’s event in the Skins flagship store in Sandton City, Johannesburg.
IN THE 25 YEARS YOU’VE BEEN IN BUSINESS NOW, WHAT HAS BEEN THE BIGGEST CHANGE IN THE MARKET?

When we started niche was so small and the brands in our portfolio sometimes had 150 to 200 points of sale globally. Now maybe they have 1 000 points of sale globally, but I would say Chanel has 3 000 in France. So still very small.

The biggest change is the shift in the consumer’s mind. People really want something different from the well-known brands. If I look at youngsters, you have girls and boys of 15 years of age in our shop looking for cool perfumes, like a status symbol similar to sneakers 10 years ago. People are more and more open to brands with a real story. You see that with everything.

Philip Hillege - Widian

If I look at the beer market 25 years ago in our country, it was Heineken and a few other big brands. Now, there’s 80 different small beer brands.

“There’s a picture of the farmer on the cheese. It’s like Frédéric Malle who started with a picture of the perfumer in the year 2000”

Even look at cheese. In the Netherlands, we’re a cheese country. There were always little artisan cheese shops. And in the supermarket, you had the supermarket cheese. But now in our supermarket, there’s a picture of the farmer on the cheese. It’s like Frédéric Malle who started with a picture of the perfumer in the year 2000.

Philip Hillege - Frederic Malle

THERE’S BEEN A LOT OF BLURRING BETWEEN NICHE AND DESIGNER BRANDS IN RECENT YEARS. DO YOU THINK “NICHE” STILL HAS MEANING OR IS IT NOW MORE ABOUT “LUXURY”?

The word “niche” is not at this moment the right word anymore.

I always talk now more about artisanal perfumery because there’s so many big groups in the sector. If you go to the Esxence perfume fair in Milan, where I’m a member of the selection committee, there’s 600 applications and 400 places available.

NAME GAME: Philip Hillege thinks the term “niche” is outdated with all the changes in the sector.
TALKING ABOUT SELECTING, HOW DO YOU GO ABOUT CHOOSING BRANDS FOR YOUR SKINS PORTFOLIO?

We have a committee of six people analysing new options from 60 to 70 brands every month. We really try to get down to the founders and if the brand story is good.

”We have a committee of six people analysing new options from 60 to 70 brands every month”

And if the passion of the founder is there, because the counter reaction is that you see so many brands without a soul and with an empty concept. Luckily, there’s every year new founders from whom we do see the real passion. But it’s getting increasingly difficult.

Sometimes, a bigger group can buy the brand. But if the soul of the brand is still there and if they don’t go, suddenly, mass distribution, then we will keep the brand.

HAVE THERE EVER BEEN TIMES WHEN YOU WORRIED ABOUT THE SURVIVAL OF THE BUSINESS?

No, luckily not. Because we’ve always had growth, even there was a big economic crisis in Europe in 2008 and 2009 and we saw many customers losing their jobs. But we also saw new customers in our shop every day.

The hardest thing sometimes is cash-flow management, though. Because when you’re a growing company, the business requires a lot of capital. And the stock of a new brand, you always must prepay first. Our collection of brands is always expanding.

Building a new store, we never choose any cheaper alternatives. It’s almost a one-million-euro investment for one new store.

Now we have a very good structure with very smart financial people. And I have the nicest cash-flow sheets in Excel. But in the early days, it was my little notes and I had to do the financial planning myself without a good CFO. And it could happen sometimes that I could not pay myself a salary for three or four months. Because first is the staff, then the suppliers, then the landlords and tax.

So, of course, there have been moments sometimes when I had to hold my breath.

YOU DON’T HAVE TO MENTION NAMES, BUT THERE MUST BE QUITE A FEW EXAMPLES OF BRANDS THAT YOU THOUGHT WOULD DO WELL IN SKINS BUT DIDN’T SUCCEED IN THE END?

Yeah, of course. Every brand we select and launch, we want to always be in our collection, because our goal is long-term partnerships, like Diptyque, Aesop, Laura Mercier or Creed.

But sometimes you launch a brand, do a press day, activities, all the stuff from your marketing calendar and training, and you see after, say, two years, the customer’s not buying it in the end.

Then it’s very difficult to call the brand owner to say, “Sorry, you know, I like you as a person, we’ve tried everything, but the brand is not selling.” That I would say is the most difficult thing and is a learning along the way.

AND THEN YOU GET EXAMPLES OF BRANDS THAT DO WELL IN SKINS IN THE NETHERLANDS BUT NOT NECESSARILY IN SOUTH AFRICA…

Yes, for example, our Skins Boxes are a huge success both in the Netherlands and South Africa. People love them.

To buy these boxes with all the gift-with-purchase sizes and with a good deal of value, we always see a lot of traction after we launch them, with certain perfumes hitting the charts in the Netherlands and doing nothing in South Africa.

Philip Hillege - Skins Boxes
BEST-SELLERS: The Skins Boxes are hugely popular in the Netherlands and South Africa and reveal different preferences in these markets, according to Philip Hillege. IMAGE: Skins NL.
YOU’VE HAD MAJOR INVESTMENT RECENTLY IN THE BUSINESS. AT WHAT STAGE DID IT BECOME NECESSARY TO GO THAT ROUTE?

I started the business with Michiel Poelmans as a 50-50 partnership in terms of shares. After 10 years, he moved to America with a new wife and to start a new life, then I had another investor, a friend whose father invested the first loan into Skins. And along the way, until 2023, I was lucky in my network to have five friends who were also entrepreneurs and had cash to invest.

“I wanted to go to Germany because brands in our portfolio were all saying we have such a hard time finding the right partners there”

I saw so much potential in the market of opening more than one store per year. We needed more cash to go faster. I wanted to open five or six stores a year, and I wanted to go to Germany because many brands in our portfolio were all saying we have such a hard time finding the right partners there.

Philip Hillege - Skins Amsterdam Gelderlandplein
IMAGE: Skins NL.

As mentioned previously, building one new store takes, like, a million euros, cash, and then it’s dead cash because part stock and part just your interior, it takes a long time to earn it back.

I started thinking, how should we do this? We needed growth money, but retail and banks are a difficult mix, because retail is about bankruptcy in the news in the last few years, with many chains going bankrupt because of the Internet and changing consumer behaviour.

Philip Hillege - Skins Antwerp Belgium
EXPANSION: The new store in Antwerp, Belgium, is part of the growth partnership with Vendis Capital, says Philip Hillege. IMAGE: Skins NL.

The only thing was to find an investor partner, so we worked with a speciality firm who seek investors. We had a good interest of 20 parties, which was a lot, even to the surprise of the advisory company.

We had many, many talks and really had the luxury of choosing the right partner, Vendis Capital, who we’ve worked with now for over a year. In the past we could only open one store per year. Since the entrance of Vendis as partner, our goal is eight to 10 stores per year divided over the Netherlands (the plan is around 20 in this country), Belgium and Germany.

Philip Hillege - Skins The Hague
IMAGE: Skins NL.

Vendis also provide us with lots of people. The right people.

WHAT DO YOU MEAN?

You have to imagine that all these 25 years, I was the one standing on the construction floor with the construction company [laughs], realising the show.

Really time consuming. Now we have a team of experienced builders to help with this. Also on finance, software development.

Philip Hillege - Skins Laren
IMAGE: Skins NL.
ARE YOUR PREVIOUS INVESTORS STILL INVOLVED?

In the end, investment companies only want shareholders on board who work in the company, not shareholders with a passive role. They cannot carry too many silent investors. So my friend investors had to exit, too.

Now we have Vendis, Claudia Pouw-Dullaart the CEO, me and the management team as the shareholders. South Africa is a separate entity.

DO YOUR STAFF HAVE SHARES IN THE BUSINESS?

Yes, we have a separate part of the shares for staff, so they can also invest with their own personal savings.

It’s all very strict with tax rules, so we cannot give them any bonuses. It must come from their own savings. It’s a great way to have staff involved beyond obviously getting paid well or that kind of thing.

Philip Hillege - Skins Amersfoort
OPEN FOR BUSINESS: Staff celebrate the opening of the Skins store in Amersfoort, the Netherlands, in February 2025. Philip Hillege says staff have the opportunity to buy company shares too. IMAGE: Skins NL.
YOU SAID AT THE START OF OUR CALL YOU’RE GOING ON A BREAK TOMORROW WITH YOUR FAMILY. WILL YOU SWITCH OFF PROPERLY, OR ARE YOU GOING TO TAKE WORK WITH YOU?

I always carry my laptop, which I don’t mind. It’s my rhythm for the last 25 years. I have a nice holiday when I don’t open my laptop with a thousand emails [laughs]. So I just keep up a little bit. One hour a day maximum.

See more on the Skins Netherlands and Skins South Africa websites.

Nadège Le Garlantezec Interview: “I Will Have Succeeded If I Can Maintain That Sense Of Wonder”

Nadège Le Garlantezec
IMAGE: Givaudan.

Looking for proof that perfumery is both a scientific and creative endeavour? Then allow me to introduce you to Nadège Le Garlantezec. The Paris-based perfumer combines both worlds in various creations (see below) with what I’ll call a distinctive “scent-sitivity”.

+ Boucheron Quatre EDP (2015)

+ Ex Nihilo Devil Tender EDP (2016)

+ Liquides Imaginaires Île Pourpre EDP (2016)

+ Jovan Tropical Musk For Him Cologne (2017)

+ L’Occitane en Provence Terre de Lumière EDP (2017)

+ Coach Floral EDP (2018)

+ Rochas Mademoiselle Rochas EDT (2018)

+  Lancôme Idôle EDP (2019)

+ Valentino Donna Born In Roma Coral Fantasy EDP (2022)

+ Ex Nihilo Vesper Glitz EDP (2023)

+ Memo Inverness EDP (2023)

+ Tommy Hilfiger Impact Together EDT (2024)

Nadège Le Garlantezec - Tommy Hilfiger Impact Together EDT

After completing her chemistry and perfumery studies, Nadège Le Garlantezec joined Givaudan. She’s currently a senior perfumer in the Paris-based fine fragrance team of the Swiss fragrance and flavour company.

Earlier creations of Nadège Le Garlantezec include Eutopie No 6 EDP (2013) and Oriflame Imagination EDT (2014). More recently, in 2022, the career of Nadège Le Garlantezec hit a personal high with Prada Paradoxe.

Nadège Le Garlantezec
IMAGE: Givaudan.
WHEN YOU STARTED STUDYING CHEMISTRY AT UNIVERSITY, WERE YOU ALREADY PASSIONATE ABOUT THE WORLD OF PERFUMERY?

Yes, my passion for perfumery was already deeply rooted when I started my studies in chemistry. I chose this path, convinced it was the best way to achieve my dream of becoming a perfumer. This realisation inspired me to pursue my goal wholeheartedly. Chemistry was not always easy, but as soon as I was able to connect it with perfumery, everything changed.

“This connection between synesthesia and perfumery has been essential in  my career as a perfumer.” – Nadège Le Garlantezec

I began to mentally visualise scents and develop synesthesias, which allowed me to create. This connection between synesthesia and perfumery has been essential in nurturing my passion and propelling me towards my career as a perfumer.

Nadège Le Garlantezec - Memo Inverness EDP
WHAT DID YOUR EDUCATION AT ISIPCA GIVE YOU?

What struck me the most during this experience were the exceptional encounters with perfumers, as well as the enriching exchanges and the bonds formed with my classmates, who are now valuable friends in the field.

This class of passionate individuals endures and we continue to come together to share our common love for perfumery. ISIPCA confirmed to me that I had my place in the perfumery world.

Nadège Le Garlantezec - Rochas Mademoiselle Rochas EDT
WHAT WAS YOUR DEBUT AND WHAT DO YOU THINK OF IT NOW?

My first project was the creation of a scented candle. It was an incredible experience, as I was able to see a project take shape and be commercialised. It’s quite an amazing feeling.

Looking back, I feel immense pride in having created something tangible in the realm of olfaction that touched people beyond my family and friends. I still hold onto that sense of wonder, convinced that I will have succeeded in my career if I can maintain that same emotion every day.

HOW DO YOU START YOUR DAY?

My days start in a varied way, without a fixed routine. I listen to my emotions and needs, which allows me to adapt my workplace. This flexibility is essential in a profession where creativity must be nourished by the inspiration of the moment.

Nadège Le Garlantezec - L'Occitane en Provence Terre de Lumiere EDP
IMAGE: L’Occitane en Provence.
YOU CO-CREATED NARCISO RODRIGUEZ NARCISO ROUGE EDP (2018) AND NARCISO ROUGE EDT (2019) WITH YOUR GIVAUDAN COLLEAGUE SONIA CONSTANT. WHAT STOOD OUT FOR YOUR DURING THOSE PROJECTS?

Working on Narciso Rouge was a significant experience, especially because it was one of my first forays into the European market. What struck me particularly was the creative freedom we had to introduce a fruity note into a traditionally musky range.

Nadège Le Garlantezec - Narciso Rodriguez Narciso Rouge EDT
HOW DOES LANCÔME IDÔLE EDP (2019) AND ITS VARIOUS FLANKERS REPRESENT YOUR CREATIVE AND TECHNICAL APPROACH?

The original idea for Lancôme Idôle EDP was proposed by Shyamala Maisondieu, who focused on a universal scent, that of cleanliness.

Our collaboration with Shyamala Maisondieu and Adriana Medina aimed to transform this powerful and technical accord into an ultra-feminine and floral fragrance, while remaining true to the essence of the Lancôme brand and the initial concept. It is in this approach that our technical work was particularly successful, combining power and delicacy.

“The flankers always represent a wonderful opportunity for the three of us to come together and tell a new story.” – Nadège Le Garlantezec

The flankers always represent a wonderful opportunity for the three of us to come together and tell a new story, which is both a challenge and a pleasure. It’s a chance to express our creativity in each flanker.

Nadège Le Garlantezec - Lancome Idole EDP
WINNING THE BRIEF FOR PRADA PARADOXE EDP (2022), PRADA PARADOXE EDP INTENSE (2023) AND PRADA PARADOXE VIRTUAL FLOWER EDP (2024) MUST HAVE BEEN EXCITING. I SEE THEY INCLUDE SERENOLIDE. WHAT CAN YOU TELL US ABOUT THIS MUSK INGREDIENT AND THE EFFECT IT BRINGS TO THESE FRAGRANCES?

Winning the brief for Prada Paradoxe is a highlight of my career, especially in the context of the COVID-19 pandemic.

It was necessary to adapt to the situation, and it remains a quite powerful story, especially since it was co-created with my mentors, Antoine Maisondieu and Shyamala Maisondieu. Serenolide is a renewable musk that brings a modern and addictive sensuality.

Nadège Le Garlantezec - Prada Paradoxe
IMAGE: Prada.
ÂME DU COEUR IS YOUR LATEST CREATION (2024) FOR LIQUIDES IMAGINAIRES. YOU’VE ALSO CREATED TELLUS (2015), ILE POURPRE (2016) AND NAVIS (2022) FOR THE BRAND. WHAT DO YOU ENJOY MOST ABOUT WORKING WITH THE COMPANY FOUNDER PHILIPPE DI MÉO?

Working with Philippe Di Méo is always an exciting adventure. He was one of the first clients I met at art exhibitions and installations, long before we began collaborating on fragrance creation.

In the early days of Liquides Imaginaires, he was in search of sanguine waters. I had developed a note after a vacation in Portugal, capturing the essence of the Douro Valley with its hints of port, oak barrels and the interplay between wine and wood. I shared this idea with Philippe, who loved it and bottled it. He offers a rich and fascinating olfactory world that allows us to explore unconventional notes.

Nadège Le Garlantezec - Liquides Imaginaires Ile Pourpre EDP
WHAT NOTE DO YOU ESPECIALLY ENJOY WORKING WITH? AND IS THERE ONE YOU STRUGGLE WITH?

I don’t set any limits for myself. I appreciate the balance between exploration time and moment of technicality that led us to work with our chosen materials. Some ingredients have been with me forever, while others appear unexpectedly and enrich my palette.

Nadège Le Garlantezec - Ex Nihilo Vesper Glitz EDP

Skins Meet The Creators: Quick Interviews With Thibaud Crivelli, Chris Collins, Benoît Verdier, Stina Seger, Simone Andreoli, Bram Niessink & Gregor Jaspers

Skins - Simone Andreoli

Getting more than 10 brand founders together in one place at the same time in a bad reputation city like Johannesburg is no mean feat. But that’s exactly what the team at leading niche retailer Skins did with savoir-faire for their Meet the Creators event.

Skins - Meet The Creators

I got the opportunity to interview most of the founders. Despite my best intentions (I’m so easily distracted, poor time management, etc), I didn’t get around to interviewing Steyn Grober (Aqualis), Jonnie Vigar (Leif) and Jun Lin (Born To Stand Out). Will have to make up for that somehow in the New Year when my brain is up and running again.

Jonnie Vigar - Leif

Philip Hilege, co-founder of the OG Skins in the Netherlands, was also in attendance. Skins celebrates its 25th anniversary in 2025, so will be following up with him on the other side of 2024 to find out more about the biz of niche retail.

THIBAUD CRIVELLI (MAISON CRIVELLI)

In the six years since launching in 2018, the Paris-based house founded by (and inspired by the experiences) of Thibaud Crivelli has become a niche-dom leader.

The past few years have been about extraits de parfum for the brand, such as Hibiscus Mahajád and Oud Cadenza. Will these perhaps over-shadow the appeal of some of your other, equally good fragrances in EDP concentration?

It will happen, yes, but it’s a normal situation and now we have more options for our customers. The extraits make up 80% of the sales, so it shows that we’ve found this connection – it is something that people are looking for. It also explains why, moving forward, we are only launching extraits.

Skins - Thibaud Crivelli (Maison Crivelli)

What else is new?

We’ve launched candles for Hibiscus Mahajád and Oud Maracujá.

From your recent launches, which one resonates with you the most?

When I launch the fragrances, I love them, but it doesn’t mean that I would wear them. I don’t create for myself. The perfumes are inspired by stories I live, but I’m not the target.

Is that why the brand has been so successful?

Yeah, because we’ve found a very good balance between stories, originality and perfumes which are not just speaking to me, which are too abstract or too simple.

They are rich in texture and full of life. They are surprising in their originality, but they are not far-fetched.

Skins - Thibaud Crivelli (Maison Crivelli)

CHRIS COLLINS (CHRIS COLLINS)

The New York-based model-turned-entrepreneur leads one of the few black-owned companies in perfumery. While I applaud him for being a pioneer, it’s the quality of the fragrances that bear his name that make him really stand out.

Apparently, Kilian Hennessy, the man behind Kilian perfumes, influenced your decision to launch your own house…

My world was in luxury and fashion. I was one of the faces of Ralph Lauren for many, many years. But my true love was always perfume. I didn’t know the whole creative process, about Grasse and Paris, and their history.

Chris Collins - Ralph Lauren
IMAGE: Ralph Lauren.

When I met Kilian about 10 years ago that changed everything because he introduced me to this world of perfume, the alchemy and mysticism. So the tagline of my fragrances is “the alchemy of fragrance”. He’s been such an incredible mentor.

We have similar styles. For example, we both love boozy notes. Of course, my interpretations are different to his. We still stay in touch.

Skins - Chris Collins

You turned 50 recently, so a belated happy birthday. How are you feeling as you start this new decade?

Thanks, not bad for an old man [laughs]. I feel great. Most people try to hide the fact that they’re getting older; it’s a precious moment you should grasp.

To live on this planet, this number of years, and all the accomplishments, all the failures, all the pain and all the love, it all comes together and it comes into my creations. I can’t wait to be 60, but not too fast.

Skins - Chris Collins

BENOÎT VERDIER (EX NIHILO)

With more than 10 years in the biz, the co-founder of the Paris-based house was in a reflective mood.

What would the most recent releases, Speed Legends EDP and Chandigarh Express EDP, tell us about where the maison is today?

It’s still first, in terms of inspirations, a mix of the founders Olivier Royère, myself and Sylvie Loday, our tastes and our passions in life.

Skins - Benoit Verdier (Ex Nihilo)

For Speed Legends, it was quite a challenge for Jordi Fernández to translate the feeling of speed on skin.

Chandigarh Express is inspired by our passion for architecture, a tribute to this city in India that was created from scratch [by architect Le Corbusier], like we were created from scratch [Ex Nihilo is Latin for “out of nothing”], but at a different level. We worked with a younger perfumer, Gaël Montero, on it.

It starts from the inspirations when we create together. We like to mix the generations of perfumers we use.

We write stories, we take pictures, we do mood boards, use music and films. So maybe this is an evolution in our work, 360-degree kind of briefs, that are quite different from what we were doing 10 years ago.

Skins - Benoit Verdier (Ex Nihilo)

You’ve used the same fragrance company since launching in 2013, Givaudan. Any particular reason for that?

It’s very immediate, very easy working with their perfumers – for example, Dalia Izem, Louise Turner, Quintin Bisch, Natalie Gracia-Cetto – and their ingredients. They have the Ex Nihilo mindset.

“To keep the consistency between all the fragrances, because now we have five collections, that is difficult.”

It’s nice to have a lot of choices, but to keep the consistency between all the fragrances, bring meaning and respect storylines, because now we have five collections, that is difficult.

The market now is all about the extrait, but you still must stay true to who you are.

STINA SEGER (BIBBI)

If the inspirations drawn from the Swede’s meditative state of mind don’t get you; the fragrances most certainly will.

Your brand is quite new and launched in 2023. Had you thought about it for a long time?

I started work on it after my first child in 2020.

Your husband, Jan Vilhelm Ahlgren, is well known for his fragrance company, Vilhelm Parfumerie. Was he an influence at all?

Of course. Because I’m in graphic design, for the concept of Vilhelm Parfumerie, we worked together, even though it’s completely Jan’s brand. He inspired me to take the next step and pushed me to do it. Support from your husband is crucial if you have smalls kids. So now he’s at home with them.

Skins - Stina Seger (Bibbi)

You’ve used Jérôme Epinette as your perfumer. What makes it such a good working relationship?

There’s a bit of a Scandinavian touch to his perfumes and he knows what I am looking for. Working with one perfumer is important because I want the fragrances to belong together.

If somebody was new to your brand and you had to choose just one fragrance that would epitomise what you are about, what would it be?

Ghost of Tom has notes of bergamot and black tea. It has a fresh background. And then you have the dark details. It has so many layers and it’s unisex. I know couples who share a bottle, and it takes you on a journey when you wear it. It has a veil that surrounds you, so it’s comforting.

Skins - Stina Seger (Bibbi)

Is your Scandinavian identity part of your fragrances?

I have my history, my dreams, so it’s there, but not in an important and obvious way. What I love about my country is the nature, the mystique of the deep forests, the northern lights and the oceans. Every country has its energy and essence with which we are born.

Skins - Stina Seger (Bibbi)

SIMONE ANDREOLI (SIMONE ANDREOLI) 

The Italian perfumer / founder is an unashamed lover of all things sweet and tropical. But there’s more to his brand than that popular style.

You seem to go for the sweeter side of things. Is that something you particularly enjoy?

We’ve become a popular brand for tropical and exotic fragrances because I’m a traveller. I love to discover tropical paradise places, so I’ve had several trips to the Caribbean and Africa as well. This has an impact on my stylistic approach, for example, Leisure in Paradise and Malibu – Party in the Bay.

Skins - Simone Andreoli

They’re a celebration of life, while in the Poetry of Night Collection, you can indulge in more transcendental, contemplative experiences.

You started in 2011. How has your style changed since then?

I started in 2011 as a fragrance creator, but the brand was born in 2014 when I was 24 years old.

So this is the 10th anniversary of the brand. Congrats!

Thank you. I never wanted to be a perfumer for another brand. I wanted to impart my own vision of creativity with my own brand. So I created fragrances which could truly embody my frame of life, my experiences around the world that are made of people, places, emotions and feelings.

Intense feelings because I’m not interested in light stuff or ordinary and trivial things.

Skins - Simone Andreoli

What has been the biggest change from when you first started?

Maybe in 2017 when I released Don’t Ask Me Permission. It’s about losing yourself in the crowd of the wildest nights in Rio de Janeiro. So don’t think too much, just go with the flow and lose yourself without asking permission to experience novel feelings.

That was probably the changing spark and we started doing tropical and exotic fragrances, a first in the industry. Now, everyone is launching mangoes and passion fruits.

“I’m now focusing on creating different fragrances. Because I’m a creative nose, and I like to challenge myself.”

I’m now focusing on creating different fragrances. Because I’m a creative nose, and I like to challenge and prove myself.

For instance, Ocean of a Midnight Moon embodies the majestic strength of the sea and its profound poetry at night. It’s fresh and mineral. The aromatic part is typical of a Mediterranean environment. And then leather and driftwood. It’s structured and multi-layered.

Skins - Simone Andreoli

BRAM NIESSINK (FUGAZZI)

With his work-hard, play-hard ethos, the Amsterdammer has made a name for his company and its daring approach.

What were you doing before you founded your brand?

I did my bachelor in fashion management at the Amsterdam Fashion Institute. There were long nights to hand in projects in the morning and working for deadlines. I learned a lot at that school about real life.

Skins - Bram Niessink (Fugazzi)

Let’s talk about Fugazzi Angel Dust that was created for the introverted person.

When I started the brand, it was all about the loud, outperforming the competitors, because people pay a lot of money for a perfume. I was always taking the maximum amount of oils to have the right quality and price value.

I was thinking, let’s make a molecule kind of perfume that fits more into the home setting, daily use, even when you go to bed. And I did it with one ingredient, mostly: Cashmeran. It’s a beautiful, long-lasting body scent.

Skins - Bram Niessink (Fugazzi)

If Angel Dust is your more introverted fragrance, which one would be the opposite, the extrovert?

Goudh and Sugardaddy are very loud. It’s like you can’t even wash them out of your clothes [laughs]. But they’re still likeable. That’s important to me.

Now, everyone wants to be loud and make a statement thing. Ultimately, my gut feeling has to say: we do this or we don’t do this. It’s not written by a group but, of course, we now have guidelines and a specific idea how to show the brand to the world.

How does the bottle fit into your approach?

I keep the bottle, as you can see, very boring. I learned in fashion school that marketing should last at least eight to 10 years without changing the packaging.

Fugazzi Workaholic

And your collaboration with Born To Stand Out?

I called Jun Lim [founder of the South Korean house] with FaceTime and told him I adored his brand. He loved my brand too. From that moment, we put the greatest thing together in four to five months. From the perfume to the bottle, it’s a lot of work to do something like this. It turned out to be so much fun.

Collaborations are normal in fashion, but not in perfumery. I’ve always tried to be a bit of a trendsetter. You must be creative to compete with the big firms. It’s a busy industry and there are always new brands.

Skins - Bram Niessink (Fugazzi)

GREGOR JASPERS (THE GREY)

Seeing a gap in the market for premium skincare products specific to the needs of men, the Dutchman has been helping us look our best since 2018.

You’re not a dermatologist, but looking at my skin now, what product would you recommend?

I don’t know your age, but you’re fairly wrinkle-less. You’ve got strong skin. But strong skin also comes with dull skin. You should exfoliate a bit more than you do.

Skins - Gregor Jaspers (The Grey)

Pigmentation is my thing. What would you recommend from your range for it?

This is our biggest enemy: photo-ageing and wrinkles through the sun is the worst and, of course, pigmentation of the skin. SPF is most important.

I’m going to do a routine based on your skin type. The Grey Charcoal Face Wash pulls out the dirt and is a very deep-cleansing face wash. It will also help to de-puff your under-eye area.

Then we have The Grey Exfoliating Face Scrub. The white part contains bamboo stem cells and the black pearls break open and release vitamin A for brightening your complexion. When you’re in the shower, put it on your face, for about 30 seconds. It won’t fall off, because it has a gooey texture and acts like a fast facial mask. Slowly rub your face, no pressure is needed.

The Grey Exfoliating Face Scrub
IMAGE: The Grey.

If you asked me what I would take on a desert island, it’s The Grey Daily Face Protect SPF50, a very light formulation. I’m going to explain to you how we created this product.

“If you asked me what I would take on a desert island, it’s The Grey Daily Face Protect SPF50.”

We chose a chemical filter because it’s way lighter and to convince guys to use SPF daily, there don’t need to be any hurdles about whiteness or stickiness on the face. It needs to be invisible.

But some people with sensitive skin react to chemicals. So imagine the filter as small ping pong balls. We have a larger molecule, the size of a beach ball, and we put the ping pong balls inside the beach balls. In this formulation, there’s no chance of irritation, because the ping-pong balls don’t touch the skin.

The Grey Daily Face Protect SPF50
IMAGE: The Grey.

These beach balls are charged positively and negatively, so they attract and then push away. In the formulation you get a very even spread of the beach balls. We use less beach balls to have SPF50. That’s a technical innovation of ours.

Find these brands at Skins stores in South Africa.

NICHE & THE DARK ART OF SELF-PROMOTION

Simone Andreoli - Simone Andreoli

I’m good at certain things and absolutely useless at others. Regarding the latter, for example, self-promotion.

Part of the reason I could never be an influencer (I’m also too messy and idiosyncratic for it). But that doesn’t mean I can’t learn some elements of this dark art.

Gregor Jaspers - The Grey

So here’s me with various brand founders at the recent Meet The Creators event organised by leading niche retailer Skins in Johannesburg. It was press day and I was in a press-the-flesh mood.

My next post will feature some interviews. In the meantime…

IT’S ALL ABOUT ME…

Simone Andreoli - Simone Andreoli

Me and Simone Andreoli (Simone Andreoli).

(This guy seems to love the camera and it loves him. Must get some tips next time.)

Chris Collins - Chris Collins

Me and Chris Collins (Chris Collins).

Thibaud Crivelli - Maison Crivelli

Me and Thibaud Crivelli (Maison Crivelli).

Benoit Verdier - Ex Nihilo

Me and Benoît Verdier (Ex Nihilo).

Bram Niessink - Fugazzi

Me and Bram Niessink (Fugazzi).

(Yes, that’s a rip in my shirt. But the show must go on.)

Jun Lim - Born To Stand Out

Me and Jun Lim (Born To Stand Out)

(If my face looks like it’s melting in the sun, that’s because it is.)

Gregor Jaspers (The Grey)

Me and Gregor Jaspers (The Grey).

(An arty blur. But then it was held in a gallery.)

Stina Seger - Bibbi

Me and Stina Seger (Bibbi).

(Yes, my eyes are closed. Having a power-nap before I move onto the next interview.)

CONCLUSION

It’s exhausting being in front of the camera all the time, I tell you. And never thought I’d hear myself saying this: hats off to those influencers who do this on a full-time basis.

Apologies to those I didn’t get time with. Before I knew it, time was up.

Never mind speed dating. This was brand dating. Next!

 All the above brands are available in South Africa from Skins.

Christophe Raynaud Interview: “I’m Always In Tune With My Environment, Collecting Ideas And Impressions”

Christophe Raynaud
IMAGE: Givaudan.

When I contact Christophe Raynaud initially to request an interview, he’s about to go on vacation. Much needed, I’d think, judging by all the perfume projects he’s been juggling together with his position as vice-president perfumer of fine perfumery at Givaudan.

Christophe Raynaud
IMAGE: Givaudan.

Christophe Raynaud started his career as a perfumer working for small companies. And while earlier creations – Balenciaga Eau de Cristobal (2003), Celine Dion Belong EDT (2005), Azzaro Chrome Legend EDT (2007) and Guerlain My Insolence EDP (2007) – signalled his obvious talent, it was the huge success of Paco Rabanne 1 Million EDT (2008) that truly opened doors for him and other achievements (see below). 

+ Carner Barcelona D600 EDP (2010)

+ Antonio Banderas The Golden Secret EDT (2011)

+ Issey Miyake L’Eau d’Issey Pour Homme Noir Ambre EDP (2016)

+ Roberto Cavalli Uomo EDT (2016)

+ Boucheron Tubéreuse de Madras EDP (2017)

+ Jean Paul Gaultier Scandal Pour Homme EDP (2017)

+ Joop! Wow! EDT (2017)

+ Karl Lagerfeld Bois de Vetiver EDT (2017)

+ Mugler Aura EDP (2017)

+ Cacharel Yes I Am EDP (2018)

+ Dolce & Gabbana Dolce Peony EDP (2019)

+ Christian Louboutin Loubicrown EDP (2020)

+ Missoni Wave EDT (2020)

+ Moncler Pour Homme EDP (2021)

+ Carolina Herrera Good Girl Blush EDP (2023)

Christophe Raynaud - Moncler Pour Homme EDP

You’ve just come back from vacation. Did you take your work with you? Or did you have a proper break?

I never really disconnect from work, even during my vacations. Ideas often come to me spontaneously, and my wife jokes about how I’ll be creating “another little formula” even from the beach. I even wake up at night with thoughts about work. But I genuinely enjoy it; whenever inspiration strikes, I bring those ideas to life.

Recently, I returned from Mexico, where I noticed how much people appreciate fragrance. They have a wonderful sense of cleanliness, and I love that scent – it sparks my creativity.

“While I may be on vacation, I’m always in tune with my environment, collecting ideas and impressions” – Christophe Raynaud

My travels are a significant source of inspiration for me as a perfumer. So, while I may be on vacation, I’m always in tune with my environment, collecting ideas and impressions that will influence my future fragrance creations.

Missoni Wave EDT
IMAGE: Missoni.

Was it always perfumery for you? Or did you consider other options?

As a child, I dreamed of becoming a veterinarian. However, by my teenage years, my passion shifted to perfumery.

My best friend, whom I considered a brother, aspired to be a fashion designer like his father. We couldn’t imagine being apart, so we envisioned starting a company together – he would create clothing, and I would craft perfumes. From the very beginning, it became an obsession for me; I was captivated. I sought out internships at factories and at L’Oréal, taking every opportunity to learn more about perfumery.

After some research, my mother discovered ISIPCA. This led me to study chemistry to enter the perfumery school and to discover the behind-the-scenes of perfumery.

Christophe Raynaud - Cacharel Yes I Am EDP

What did you enjoy most about your studies at ISIPCA?

Finally immersing myself in the world of perfumery was a thrilling experience as I discovered and learned about raw materials.

At ISIPCA, I was constantly engaged and absorbed in my studies; it was where I truly flourished. I was part of a fantastic group, and we all got along exceptionally well – I keep in touch with many of them. Everything felt effortless, and I was genuinely in my element.

Christophe Raynaud - Roberto Cavalli Uomo EDT 

How did you begin your career as a perfumer?

Although I always dreamed of working on the major briefs I handle today, I began my career in smaller companies. This experience was invaluable for my learning.

After completing internships in chromatography in Switzerland, I joined Drom in Paris, where I set up a lab and became a junior perfumer. I started experimenting with twists and toiletries. By exploring various aspects of the field, I gained a wealth of knowledge. This journey has been instrumental in shaping my career and bringing me to where I am now.

Boucheron Tubéreuse de Madras EDP
IMAGE: Boucheron.

You’re the vice-president perfumer of fine perfumery at Givaudan. What does that entail? 

The title of vice-president is equivalent to that of master perfumer. This role involves us deeply in the company’s operations, allowing us to participate in discussions related to strategic decisions.

From my experience, this position also involves fostering a welcoming environment for new collaborators, ensuring they feel supported and integrated into the team. A key aspect of my role also involves transmitting knowledge and training the next generations of perfumers.

Carner Barcelona D600 EDP
IMAGE: Carner Barcelona.

How would you describe your compositions? And what do you always aim to achieve with them?

My compositions are often described as powerful and captivating, yet they also exhibit a great deal of variety. I believe in the importance of creativity and diversification, avoiding the trap of confining myself to a specific style.

Paco Rabanne 1 Million EDT (2008) is a huge success of yours. Does that success come with pressure of having to repeat the winning formula in other creations?

Quite the opposite. 1 Million completely transformed my life. We never anticipated the level of success it would achieve.

“1 Million completely transformed my life. We never anticipated the level of success it would achieve.” – Christophe Raynaud

As its success grew, it opened many doors for me, and more people approached me for collaborations. It has been nothing but positive – never any pressure, in fact. This was also true for the projects that followed; I never felt that pressure. We all owe a debt of gratitude to this incredible fragrance.

Paco Rabanne 1 Million EDT
IMAGE: Rabanne.

What do you remember most about the Lancôme La Nuit Trésor EDP* (2015) project?

The most significant aspect of this fragrance for me is the warm welcome I received at the company Firmenich and the memory of an incredible collaboration with a perfumer right from the start.

It was truly remarkable to be welcomed in such a way within a perfumery house, and I will always be grateful to that person who introduced me to this formula and with whom I later collaborated many times.

This memory is even more special because the fragrance has become a tremendous success and is still highly celebrated today.

Christophe Raynaud - Lancôme La Nuit Trésor EDP

I love what you did with PENHALIGON’S CONSTANTINOPLE EDP (2021), especially the orris. Is that a raw material you particularly enjoy working with?

I enjoy working with all raw materials. What I particularly appreciate about orris is its versatility; it can be crafted into both masculine and feminine compositions.

Penhaligon’s Constantinople EDP
IMAGE: Penhaligon’s.

Your 2022 creation, L’Artisan Parfumeur Mémoire de Roses EDP, is a beautiful rendition of the queen of florals. How did you approach its creation?

The rose holds a special significance for me, as my wife is English and has a deep love for this flower. I aimed to capture her essence in the fragrance – vibrant, elegant and colourful. This creation is a heartfelt tribute to her and her appreciation for roses.

Christophe Raynaud - L'Artisan Parfumeur Memoire de Roses EDP

YSL MYSLF EDP* (2023) features a standout orange blossom note. Was that your idea, or was that part of the brief?

It was an idea from Daniela Andrier. Perfumers are particularly drawn to orange blossom because it presents a multitude of creative possibilities. We can work with the fruit to create bitter orange essence, the flower for neroli essence, the absolute from the blossom, and even the branches for petitgrain.

Christophe Raynaud - YSL MYSLF EDP

It is one of the richest raw materials, full of diverse facets that we love to explore. Daniela Andrier, Antoine Maisondieu and I had the pleasure of developing the fragrance together. We’re absolutely delighted with its success!

YSL MYSLF EDP Team
IMAGE: Yves Saint Laurent.

You’re part of the team behind the Jean Paul Gaultier Scandal fragrances. All of them are on the sweet side. What kind of fragrance do you personally prefer to wear?

While I enjoy working with bold amber notes, my personal preference for wearing scents leans towards fresher fragrances. It’s quite the opposite of what I create daily, and I find it refreshing to switch things up.

“While I enjoy working with bold amber notes, my personal preference leans towards fresher fragrances.” – Christophe Raynaud

What projects have you just finished that you can tell me about?

Lancôme La Vie est Belle L’Elixir* stands out for its unique structure, characterised by the abundant use of materials. This deliberate overdose of materials contributes to the fragrance’s power, impact and incredible longevity.

Christophe Raynaud - Rabanne Million Gold For Him EDP Intense

Rabanne Million Gold EDP* introduces a bold new sensory experience while preserving the original’s olfactive DNA of 1 Million. Million Gold seeks to replicate its addictive success by enhancing the woody signature with the highest quality and most noble wood essences.

*These Christophe Raynaud creations available in South Africa at Arc Store

Dora Baghriche Interview: “Intuition Is My Most Precious Ally”

Dora Baghriche
IMAGE: dsm-firmenich.

Dora Baghriche may have learned the art of diplomacy since her fragrance debut in 2011, Versace Vanitas EDT. But she remains refreshingly honest about her work as a perfumer. From our communications, I pick up she’s feeling overwhelmed. Perfectly understandable with all the pressures and demands of her profession.

Versace Vanitas EDT
IMAGE: Versace.

She comes across as a sensitive soul. And looking at her body of work so far (a selection below), there’s an impressive variety across several genres:

+ Versace Vanitas EDT (2011)

+ Olfactive Studio Still Life EDP (2011)

+ L’Artisan Parfumeur Caligna EDP (2013)

+ Cacharel Anaïs Anaïs Premier Délice EDT (2014)

+ Gloria Vanderbilt Minuit à New York EDP (2015)

+ Juicy Couture I Am Juicy Couture EDP (2015)

+ Yves Saint Laurent Mon Paris EDP (2016)

+ Glossier You EDP (2017)

+ Chopard Happy Chopard Bigaradia EDP (2018)

+ Issey Miyake L’Eau d’Issey Rose & Rose EDP (2019)

+ Lionel Richie Hello EDT (2019)

+ Ariana Grande R.E.M. EDP (2020)

+ Kenzo Flower Poppy Bouquet EDP (2020)

+ Armani Privé Gardénia Antigua EDT (2020)

+ Carolina Herrera 212 Heroes Forever Young EDP (2022)

+ Paco Rabanne Fame EDP (2022)

+ Narciso Rodriguez All of Me EDP (2023)

+ Coty Infiniment Or de Moi Parfum (2024)

Dora Baghriche - Chopard Happy Chopard Bigardia EDP

Initially, Dora Baghriche had her eye on a career in journalism but even as a perfumer, she manages to bring elements of that into her work. “Journalism was a way to fulfil an endless curiosity and appetite for people, history and stories, for nature too. I am adding my imagination to the reality I see,” she says.

Dora Baghriche
IMAGES OF DORA BAGHRICHE: dsm-firmenich.

Congratulations on your recent principal perfumer appointment. What does that mean for your career?

Thank you! It always feels good when your work and commitment are recognised by your company. It’s an important step in a career.

Journalism was your first career choice before you enrolled at ISIPCA. Are you able to apply any journalistic principles to your work as a perfumer?

Yes, I wanted to be a reporter, to travel and witness the world. I have such an endless admiration for these men and women who courageously try to inform us about conflicts, major events, good or bad. I wanted to be a voice and an eye for what and who is invisible, or far, or ignored. This comes from my thirst for justice and freedom since my youngest age.

Glossier You EDP
IMAGE: Glossier.

Journalism was also a way to fulfil an endless curiosity and appetite for people, history and stories, for nature too. Creating fragrances allows me to express these values in a different form. I am adding my imagination to the reality I see…

Dora Baghriche - Kenzo Flower Poppy Bouquet EDP Florale

How do you remember your fine fragrance debut?

My debut in perfumery is a good memory, even though it was all about fighting to prove myself and to exist among the established perfumers. Being a young perfumer requires energy, resilience, patience and fearlessness.

I had all these qualities, but I was also too direct, with no filter. I have learned a bit of useful diplomacy.

“My debut is a good memory, even though it was all about fighting to prove myself and to exist among the established perfumers.” – Dora Baghriche

Cacharel Anais Anais Mon Premiere Delice EDT
IMAGE: Cacharel.

Do you approach perfumery as a technical or intuitive endeavour?

I work with my intuition – it is my most precious ally. Technique comes afterwards to make this intuition something “presentable”.

Olfactive Studio Still Life EDP (2011) is an early creation of yours. In what way does it represent you as a perfumer?

Still Life is a creation around yuzu and pepper – among my favourite tastes and sensations. These ingredients are the symbol of high energy, that’s probably why they are often the stars of festive cocktails. I still love Still Life. This fragrance is like an endless party.

Olfactive Studio Still Life EDP
IMAGE: Olfactive Studio.

L’Artisan Parfumeur Caligna EDP (2013) is a different type of fig fragrance. How did you approach its creation?

It’s my vision of the sweet breath of the south of the Mediterranean. It’s about sage. Sage also means “savage”, the same root. And for me, the region of Provence means the wild, the freedom and also the softness. This sage is full of softness, surrounded by jasmine marmalade and fig.

Dora Baghriche - L'Artisan Parfumeur Caligna EDP

You’re part of the team behind Paco Rabanne Fame. These high-profile projects must come with a lot of pressure. How do you deal with those stresses?

Indeed, pressure is part of my world. Winning a big project is always a race you need to be well prepared for – it is psychologically and physically overwhelming. Dealing with competition, with doubts, with others’ tastes and personalities, even within your own team, the stress can be high.

“It’s important to stay open to others. Then creation can find peace again.” – Dora Baghriche

But I’ve learned to domesticate pressure. And when it’s becoming too hard to take a step back. It’s important to stay positive, open to others, rely on the people you trust. Then anything can be smoother, and creation can find peace again.

Dora Baghriche - Paco Rabanne Fame Parfum

You’ve created several fragrances for Chopard. Has this entailed meeting the brand’s artistic director, Caroline Scheufele?

I work a lot with Chopard and I love this house. I met Caroline Scheufele a few years ago and had both a personal and artistic crush for her and for her work. She is audacious, sensitive, a beautiful soul. She loves perfumes among other arts.

Caroline Scheufele
IMAGE: Chopard.

We shared how we could bring her perfume collection to the next level and to create fragrances that are the most faithful to the spirit of the house: quality, creativity and a bit of the unexpected.

Dora Baghriche - Chopard Iris Malika EDP

Narciso Rodriguez All of Me EDP is a 2023 co-creation of yours with Daphné Bugey. Musk is an integral part of the brand’s fragrance identity. What kind of musk/s did you use in its creation?

All of Me is the encounter of geranium and an incredible heart of musk. We worked with the latest generation of musks offered by dsm-firmenich’s palette. Our company is called “the house of musks”. We are pioneers in the research for new musks with different tonalities, different facets.

Dora Baghriche - Narciso Rodriguez All of Me EDP

For All of Me, we worked with six different musks – all 100% biodegradable and with interesting and complementary facets. While Muscone and Muscenone are dirty and wild, Helvetolide brings a clean, soft facet, for example. That’s why the result of this musky signature is not flat, but multi-dimensional, like Mr Narciso Rodriguez’s vision of women.

“While Muscone and Muscenone are dirty and wild, Helvetolide brings a clean, soft facet.” – Dora Baghriche

When you’re not working, what would we find you doing?

When I’m not working, I do many things. Reading first. I am what we call a heavy reader – I can read up to three books a week. I used to practise Japanese archery but not anymore, now I am taking piano lessons again because I miss music.

Armani Privé Gardénia Antigua EDT
IMAGE: Giorgio Armani.

What I love the most is to discover new worlds, new fields. I might not have time to become an expert in everything, but I love to dive into a new discipline and understand a little bit of its meaning, its power, its benefits.

Lionel Paillès – An Interview With The Author Of Grasse: From Flower to Fragrance

Lionel Paillès

I’d been wanting to read another perfume book for a while. Even better, if it’s about a subject I’m more and more interested in – ingredients. And so when a copy of Grasse: From Flower to Fragrance by Lionel Paillès was sent to me, I was chuffed to say the least.

Lionel Paillès

Perfumery is about many things. But fundamentally it’s about the use of ingredients: whether naturals and/or synthetics, increasingly biotechnology.

Starting with the presence of the Swiss flavour and fragrance company dsm-firmenich in Grasse, the book, through meticulous research and brilliant photography, presents a picture of a firm, its perfumers, technicians and suppliers, at the forefront of research and science in the field of ingredients.

Lionel Paillès

Or should that be fields of ingredients? Although technology is central, it all starts with the suppliers and farmers in their fields of roses, lavender, jasmine, tuberose and mimosa in the heartland of French perfumery, Grasse.

While the book is very much about dsm-firmenich, it’s not a glorified sales pitch. Lionel Paillès is too much of a professional perfume writer to put his name on that sort of project.

“While the book is very much about dsm-firmenich, it’s not a glorified sales pitch.”

I had not heard of Lionel Paillès before receiving this book. The perfume critic, journalist and Fragrance Foundation judge is the author of titles such as Chanel: The Art of Creating Fragrance: Flowers of the French Riviera (Abrams, 2016) and Petit Lexique des amateurs épris d’odeurs et de parfums with Jean-Claude Ellena (Actes Sud, 2021).

Lionel Paillès

Some of the things I love about this book (apart from the teeny-weeny font size of captions – perhaps time for new glasses, Richard?):

+ The language of fragrances: an easy-to-understand glossary of terms from “absolute” and “biomass” to “supercritical fluid extraction (SPF)” and “upcycling”.

+ It emphasises the interconnection of science and nature and, in particular, the role of innovation in the process of fragrance creation.

+ While looking at many of the processes behind the scent scenes, it doesn’t lose sight of the alchemy and mystery in perfumery.

Lionel Paillès

Before I get to the interview with Lionel Paillès, some fast facts below for the perfume-geek lurking in all of us:

DID YOU KNOW?

+ Grasse was placed on Unesco’s Intangible Cultural Heritage of Humanity List in 2018 for its collective perfumery know-how.

+ Principal perfumer Fabrice Pellegrin and master perfumers Alberto Morillas, Nathalie Lorson, Olivier Cresp and Honorine Blanc are among the employees of dsm-firmenich.

+ These perfumers meet three times a year in Grasse at Villa Botanica, where Fabrice Pellegrin, the company’s director of Natural Product Research and Innovation, presents the latest innovations. It is these perfumers who approve each line of development one by one, after smelling, evaluating and comparing them to other ingredients on the market.

+ The centifolia rose is harvested by hand only, flower by flower, over a period of three to four weeks in the middle of the month of May. That’s why it is also known as the “May rose”.

Lionel Paillès

+ True lavender lends itself better to luxury perfume formulas. However, lavandin yields three times more essential oil than true lavender, which makes it particularly sought-after for “functional perfumery” (washing powder and liquid, soap, shower gel, shampoo).

+ A good jasmine picker harvests 600g to 800g of flowers per hour, which amounts to 6kg to 7kg of flowers in a day’s work.

+ Originally from Australia, mimosa (part of the acacia family), with its small, downy yellow flowers, was introduced to the south of France in the 19th century.

Source: Grasse: From Flower to Fragrance by Lionel Paillès.

Lionel Paillès

Tell me about your background and how you got into writing about perfumes.

I met Jean-Claude Ellena in 2010 during an article I wrote for L’Officiel Voyage magazine. I knew nothing about perfume, but his speech immediately fascinated me.  I decided to stop everything and train myself: learning raw materials and classic accords at the Cinquième Sens school, then with different perfumers (notably Jean-Christophe Hérault, picture below).   

Jean-Christophe Hérault

How long was this book in the making?

I wrote it between summer 2022 and summer 2023. We did six reports in Grasse in different seasons: spring, summer, autumn and winter.

Who initiated the project?

I knew the perfumer Fabrice Pellegrin (picture below), who became a friend, well. Ten years ago, he introduced me to dsm-firmenich’s extraordinary facilities in Grasse.  When he spoke to me in 2021 about the Villa Botanica project, I suggested that we take the opportunity to imagine a book around Grasse perfume plants and their transformation. A work which is aimed at both the general public and professionals in the perfume industry.

Fabrice Pellegrin
IMAGE: dsm-firmenich.

What do you want people to understand from reading the book?

A beautiful perfume plant is not an end in itself and that it is its transformation that gives it all its value. The art of the perfumer would be nothing without the science necessary to transform the plant into an ingredient.

“A beautiful perfume plant is not an end in itself. Its transformation gives it all its value.” – Lionel Paillès

Lionel Paillès

How would you rate your knowledge of perfume ingredients before writing the book?

I had bookish knowledge and I had participated in a rose harvest in Grasse. That is just about everything.  I learned everything by going to Grasse to the dsm-firmenich factories and meeting the passionate farmers who are partners of the Swiss company.

What stood out for you as the project progressed?

I discovered that the entire Grasse region lived to the rhythm of the same passion: that of perfume. I also understood how the time of perfume was an eminently long time.  If consumers knew how long it takes to mature a beautiful jasmine, transform it into an extract and make it the beating heart of a perfume, they would better understand the price of perfume.

Lionel Paillès

The book talks a lot about Grasse, the traditional heart of French perfumery. Is it possible for the region to regain its former glory?

Since the big brands (Louis Vuitton, Dior) moved there, signing partnership contracts with flower producers, Grasse has regained its aura. The know-how of Grasse has been classified as a Unesco Intangible Heritage: the cultivation of perfume plants, the transformation and creation of perfume. Nowhere else in the world is so much know-how concentrated in one place.

“Nowhere else in the world is so much know-how concentrated in one place.” – Lionel Paillès

The book features a cast of suppliers, farmers, technicians and perfumers. Did you get to meet all of them?

Yes, I had the chance to meet all the partners of dsm-firmenich. Those who produce the rose; those who produce jasmine (Alexandra Richard impressed me with her determination and passion), mimosa, violet or tuberose.

The Villa Botanica is a symbol of dsm-firmenich’s position in Grasse. What role does this house play in raising consumer awareness of the role of science in perfumery?

It is both a place of creation, where perfumers extract themselves from their daily life, and a place of education, where brands come to discover perfume plants and the know-how of extraction developed over decades by dsm-firmenich.

Lionel Paillès

Biotechnology increasingly appears to be the future of perfume ingredients. The Firgood process is particularly fascinating. What can you tell me about it?

This is a process that uses microwaves, like the oven in your kitchen. By heating the plant in an oven, the molecules heat up by rubbing together and release their olfactory particles.  All perfume houses are looking for extraction methods that do not use petrochemical solvents and which consume little energy and water. The Firgood addresses these two issues. In addition, it makes it possible to extract so-called “dumb” flowers, the natural extract of which did not exist until now.

Lionel Paillès

Why is there such a push for natural ingredients now?

Naturalness is a consumer requirement that has existed for around 10 years but has increased with Covid. I really like natural extracts: they bring richness and complexity to the perfume. They also allow us to tell beautiful stories of women and men: the farmers who have been cultivating these plants for decades and sometimes generations.

“Natural extracts allow us to tell stories of the farmers who have been cultivating these plants for decades.” – Lionel Paillès

Lionel Paillès

And what about synthetics?

The synthetic molecule is essential to perfume. It allows the perfume to stick to the skin and make it last long throughout the day.

The superb photography by Philippe Frisée in this book deserves a mention. How did you work with him?

We were in Grasse together on all the reports. Philippe did not have any specific knowledge of plants. It comes from fashion and brings a new and non-cliché look at the perfume plant.

Philippe Frisée

The idea was to work like I work in the press when I go reporting: by joining our eyes and discovering things together.

*Grasse: From Flower to Fragrance (Gallimard) by Lionel Paillès is available from selected bookstores.  

Amandine Clerc-Marie Interview: “Crafting Fragrances Is Neither A Lonely Art, Nor A Straight Line”

Amandine Clerc-Marie
IMAGE: dsm-firmenich.

When I received news earlier this year that Amandine Clerc-Marie had been promoted to principal perfumer at dsm-firmenich, I wasn’t surprised.

The perfumer has created a steady and substantial body of work since her debut in 2003, with creations that include:

+ Kenneth Cole Black EDP (2004)

+ Jovoy Chypre EDP (2007)

+ Chloé EDP (2008)

+ MDCI Parfums Peche Cardinal EDP (2008)

+ Jaguar Vision EDT (2010)

+ Van Cleef & Arpels Precious Oud EDP (2011)

+ Atkinsons Oud Save The King EDP (2013)

+ Chopard Rose Malaki EDP (2014)

+ Lancôme La Nuit Trésor EDP (2015)

+ Yves Saint Laurent Trench EDP (2015)

+ Sisley Izia EDP (2017)

+ Carolina Herrera Platinum Leather EDP (2018)

+ Davidoff Cool Water Intense For Her EDP (2019)

+ Escada Candy Love EDT (2020)

+ Valentino Voce Viva EDP (2020)

+ Estée Lauder Sensuous Stars EDP (2021)

+ Nina Ricci Nina Soleil EDP (2022)

+ Burberry Goddess EDP (2023)

Amandine Clerc-Marie - Chloe EDP

From earlier wins such as Lui Rochas EDT and Chloé EDP to huge hits such as Lancôme La Nuit Trésor EDP, Amandine Clerc-Marie has made her mark with her customary attention to quality and the all-important hook.

Lancome La Nuit Tresor EDP
IMAGE: Lancôme

While her finesse with the queen of florals is clear in several creations, I noticed as I was putting this story together, Amandine Clerc-Marie is the queen herself when it comes to vanilla. The ingredient pops up in everything from Lancôme La Nuit Trésor EDP, Mugler Aura EDP and Escada Candy Love EDT to Valentino Voce Viva EDP and Nina Ricci Nina Soleil EDP.

Amandine Clerc-Marie
IMAGE: dsm-firmenich.

Congratulations on your recent principal perfumer appointment. For those who aren’t in the industry, what does a principal perfumer do?

I create a lot of fragrances for many fine fragrance brands. I meet artists, be they designers or creative directors; I spend time with clients to understand what they’re after.

“A perfumer’s day is a constant quest for inspiration!” – Amandine Clerc-Marie

I also like to spend time with our trainee perfumers as I value the high importance of transmission in our profession. I take part in evaluation sessions during which new qualities or even new ingredients are presented to me. I come up with new combinations. You know, a perfumer’s day is a constant quest for inspiration!

MDCI Parfums Peche Cardinal EDP
IMAGE: MDCI Parfums.

Where did perfumery start for you?

Ever since I was a child, I’ve had a passion for perfume. My mother worked for a perfume house. Creating perfume seems to be part of my DNA.

My earliest olfactive memories are of my grandfather’s home in Normandy, France, where I wandered freely, discovering the natural world around me. I can still close my eyes and remember the pungent odours of grass and crumpled leaves bordering the garden pond with its wet, humid air – fresh, green and aromatic. I also recall the smell of ripe apples which my grandfather made into his own cider, a scent and taste I still love today.

Amandine Clerc-Marie - Chloe EDP

My own career came about quite naturally. During my apprenticeship, while learning about raw materials, my sense of smell suddenly came to life. At the end of my studies at ISIPCA, I wrote a thesis on modernising the leather note in Hermès Bel Ami EDT and it was at this point that I met Michel Almairac, with whom I worked for more than 10 years at Robertet.

Michel Almairac
IMAGE: Robertet

Working with Michel Almairac after completing your studies at ISIPCA must have been a formative experience for you. What do you value most about your time spent with him?

Michel Almairac taught me to work on short formulations, with only raw materials essential in my formula. No superfluous ingredients were allowed. Just like him, I still overdose one or two notes at the beginning of the composition, keeping his practice of starting with something a little bit crazy to affirm a strong stance. But I learned to balance his overdose faster than what I used to.

“He taught me to not be scared of my ideas and to work through the process with confidence and precision.” – Amandine Clerc-Marie

He taught me to not be scared of my ideas and to work through the process with confidence and precision. He taught me everything with kindness and patience, but still with demand.

Amandine Clerc-Marie - Yves Saint Laurent Trench EDP

What was your fine fragrance debut? And how did your career progress from there?

My very first win was a woody-chypre fragrance called Lui Rochas, with Michel, in 2003. The big turning point was then in 2008 with the creation with Michel Almairac of Chloé EDP that instantly became a classic.

Then in 2011, I joined dsm-firmenich and had the opportunity to start working with masters, such as Alberto Morillas, Olivier Cresp and Honorine Blanc, who have been great partners and mentors for me here.

Lui Rochas EDT
IMAGE: Rochas.

What advice would you give to young perfumers just starting their careers?

I would tell them to demand the best of themselves, stay determined, be diligent and always remain optimistic.

You’ve created several rose-focused fragrances. For example, Chloé EDP (2008), Chopard Rose Malaki EDP (2014) and Sisley Izia EDP (2017). Is this an ingredient you particularly enjoy working with?

Rose is the most fascinating ingredient. Even though she is considered the “queen of perfumery”, it’s true that only the rose can offer such a multi-faceted experience with so many varieties.

Perfumers have never ceased to explore roses and I doubt that will ever stop. Roses have all the qualities that can be expected in a perfume and are themselves one of the most complex perfumes.

Amandine Clerc-Marie - Chopard Rose Malaki EDP

Your 2017 co-creation Mugler Aura EDP pushed the boundaries for a designer fragrance and I would imagine it took some time to reach the final version. Was this project more complicated than others?

Indeed, it’s been one of the most complicated creations that I have worked on. We wanted it to be innovative and unique and also extremely powerful.

It was also a huge challenge for our group of perfumers (Daphné Bugey, Christophe Raynaud, Marie Salamagne and Olivier Cresp) to come up with a new proposition after the mythical Angel – a personal favourite – and the blockbuster Alien. It’s in Mugler’s DNA to challenge the world of perfumery with every new creation, which puts a bit of pressure on you!

Mugler Aura EDP
IMAGE: Mugler.

Burberry Goddess (2023) is a recent success of yours. You used the FirGood technology in its creation. It sounds very technical. Could you simplify it for us?

For Goddess, I used three distinct types of vanilla extraction. The first is a Vanilla infusion, which provides the brightest woody-vanilla possible, then I used FirGood Vanilla for the first time in a fragrance: this innovative technology enables us to extract vanilla without any solvent, obtaining a sweet, rich and animalic vanilla. Lastly, with an absolute, which is darker and richer, gave the fragrance a mysterious, milky aspect.

“Working with FirGood Vanilla for the first time allowed me to express a new story for this iconic ingredient in perfumery.” – Amandine Clerc-Marie

Exploring vanilla was a very inspiring playground. What really interested me about this project was discovering its new facets. Working with FirGood Vanilla for the first time allowed me to express a new story for this iconic ingredient in perfumery. Bringing a totally new vision of vanilla to Burberry was my day-to-day challenge, and I loved it!

Amandine Clerc-Marie - Burberry Goddess EDP

I have created the most powerful vanilla overdose on the market. It’s totally new and with a new vanilla extract, dsm-firmenich’s proprietary vanilla FirGood, that makes this creation so unique.

There’s no doubting your technical and creative skills. What other quality do you bring to projects that makes them such a success?

Being a visual person, I start the creation process with raw materials and the desire to pass on a strong olfactory message.

I begin with one or two raw materials to create a specific accord, which should be strong enough to be reworked for months and which will serve as my North Star and the signature of the fragrance. Once I have the initial accord, I surround it with other notes to present different samples to the brand, each representing a strong perspective. Finally, I tweak once more, depending on the brand’s feedback, to craft the finished scent.

Amandine Clerc-Marie - Carolina Herrera Stallion Leather EDP

Creating fragrances is similar to sculpting. We mould the invisible, working on volumes of specific scents to adjust the overall performance of notes.

It’s important to know that crafting fragrances is neither a lonely art, nor a straight line. We really count on the advice and help of our laboratory team, and often execute many rounds of iterations that push our creative boundaries.

Carolina Herrera Platinum Leather EDP and Burberry Goddess EDP are available in South Africa from selected Edgars stores nationwide. 

Memo Inverness EDP: An Interview With Brand Co-Founder John Molloy

Memo Inverness EDP - John Molloy
IMAGE: Memo.

It’s been a while since I gave a Memo fragrance my undivided attention. Not that the quality of the Paris-based niche brand has changed in any way. It’s just that there are so many more olfactory distractions nowadays. Memo Inverness EDP brought the company back into focus for me.

Memo Inverness EDP

After being initially contacted by the NYC PR, the arrangements for a bottle of Memo Inverness EDP made their way to Europe and then eventually the brand distributor in South Africa.

And why am I telling you this? Well, since its founding in 2007 by husband-and-wife team John and Clara Molloy, the French house has built an impressive travel-inspired fragrance business (the couple are also behind Hermetica and Floraïku). So the way Memo Inverness EDP made its way to me seems absolutely appropriate.

In this interview with John Molloy, we chat about the role of travel and how Memo Inverness EDP came to be. ***See my thoughts on this 2023 release after this interview.

Memo Inverness EDP - John Molloy
IMAGE: Memo.

Seems you’ve been travelling a lot recently. Where are you now?

Home! If Memo Paris is about travel, it doesn’t mean that we are always on the road. The destinations that inspire us are now mainly coming from dreams, books, paintings, souvenirs of family trips, world maps, pictures… as we consider perfume as a form of slow travel.

Today, when we travel, it is essentially to visit our partners, teams, stores, clients, followers or journalists abroad, to present our novelties, for special openings or events, to share our vision, talk with our strengths on the field, and learn from them to know how to make Memo Paris shine even more.

Memo Inverness EDP

With travel a popular source of inspiration in perfumery, how have you ensured Memo is different from other brands in that regard?

First, by following our intuition and our path. What we have been building for over 15 years has found its own way of expression. If you pay too much attention to what other people are doing, it paralyses you.

Of course, celebrating the world is as old as the world itself! But how you do it is key. By working with talented perfumers, beautiful ingredients and artists who bring their own vision to fragrances, we’ve come up with some truly unique creations.

Memo Eau de Memo EDP

You co-founded the company with your wife, Clara Molloy. Who does what in the couple equation?

We’re very complementary and it’s as if we’d met for the second time working together. She’s the creative mind, while I take care of the commercial side and the development of our brand worldwide. But, of course, we exchange a lot, trying to superimpose our visions, to make the right choices.

Memo Inverness EDP - Clara Molloy
IMAGE: Memo.

What was it about Inverness that made it such great inspiration for a perfume?

Clara had the idea of a Scottish destination and the name started it all. She loves words. It’s round, soft and mysterious all at once. We hear invention, eternity, endless. And the “-ness” ending is like a promise.

IMAGE OF LOCH NESS: Visit Scotland.

The area is also known for its whisky. Was that note ever a possibility in this composition?

It’s true that Scotland is famous for its whisky… and for Loch Ness. In fact, we preferred to take a step aside by choosing Inverness, a lesser-known destination, and working on a different idea for this composition, focusing on the intensity of the woods.

That said, another of our signature fragrances, Irish Leather [2013], includes essence of juniper berries, which are also used to make gin. We’ve already played this card in a certain way, and as we don’t want to repeat ourselves, we’ve chosen another type of ingredient for a composition that we want to be creative, bold and beautiful.

Memo Irish Leather EDP

Was it perfumer Nadège Le Garlantezec’s idea to use amyris oil in Memo Inverness edp?

Nadège had this desire for a refined, intense wood and we welcomed this proposal into the creative process, which is a moment of constant exchange and connection with the perfumer, to arrive at the dream composition.

Memo Inverness EDP - Nadège Le Garlantezec

This is her second creation for Memo (after Flåm, 2021). Why do you enjoy working with Nadège?

Because Flåm was a wonderful shared experience and we wanted to continue the journey together. Working faithfully, confidently and over the long term with our perfumers is one of our priorities.

Memo Flam EDP
IMAGE: Memo.

What’s next for Memo?

In 2024, the Cuirs Nomades collection will reveal new surprises, and we can’t wait to share them with you!

***MEMO INVERNESS EDP IMPRESSIONS

If you’ve heard fragrances being described as “dry” but had no idea what that meant, this perfume will explain it all for you. That feel permeates the scent from start to finish through a variety of woods (cedar, sandalwood, guaiac wood and, in particular, amyris).

Not as commonly used as the afore-mentioned ingredients but sharing characteristics with them, it’s easy to understand why perfumer Nadège Le Garlantezec highlighted amyris in her composition.

Memo Inverness EDP

She might describe the formula for Memo Inverness EDP as “bold and short”, but the material is allowed to reveal its complexity (from fresh and spicy to earthy) with support from balsamic cedarwood, creamy sandalwood and smoky guaiac wood. Mate absolute can be bitter and sharp; here it emphasises the foresty ambience with its herbal aromatics.

At first, Memo Inverness EDP didn’t seem particularly Scottish to me. With its namesake (the capital of the Scottish Highlands on the River Ness), I was expecting something more literal, damper, wetter, floral (it’s an addition to the brand’s flower-focused Fleurs Bohèmes Collection).

But the more I wear it, the more I’m appreciating the perfumer’s interpretation of the destination, especially the combo of its more smouldering aspects with the powderiness of orris butter.

Memo Inverness EDP

When I interviewed Clara Molloy several years ago for my blog, she said: ”All of our competitors that started when we launched have sold their companies. There are many brands and many more to come. I hope everyone will keep in mind that niche means high standards. Otherwise, there is no point in being niche.” Memo Inverness EDP affirms the company’s reputation for perfumes of quality and distinction.

Memo Inverness EDP is available in South Africa from Skins Cosmetics and Arc Store

Aurélien Guichard Interview: “I Want People To Understand What They’re Wearing”

Aurélien Guichard
IMAGE: Matiere Premiere.

Niche brands keep on coming, but Matiere Premiere has made more of an impact than most since its launch in 2019. Even before he founded his own company, Aurélien Guichard (he continues to produce scents for other brands as a perfumer at the Japanese flavour and fragrance corporation Takasago) was admired for creations such as:

+ Bond No 9 Chinatown EDP (2005)

+ Sean John Unforgivable EDT (2006)

+ Gucci Pour Homme EDT (2008)

+ John Galliano EDP (2008)

+ Nina Ricci Ricci Ricci EDP (2009)

+ Robert Piguet Casbah EDP (2012)

+ Versace Eros EDT (2012)

+ Trussardi My Name EDP (2013)

+ Narciso Rodriguez Narciso EDP (2014)

+ Michael Kors Wonderlust EDP (2016)

+ Zadig & Voltaire This is Him! EDT (2016)

+ Valentino Valentina Poudre EDP (2016)

+ Salvatore Ferragamo Uomo EDT (2016)

+ Issey Miyake L’Eau Majeure d’Issey EDT (2017)

+ Tom Ford Sole di Positano EDP (2017)

+ Giorgio Armani Armani Privé Bleu Turquoise EDP (2018)

Aurélien Guichard - Versace Eros EDT

Aurélien Guichard comes from a Grasse-based family with perfumery running through its veins. His grandparents grew roses and jasmine for the industry.

His father, Jean Guichard, winner of the inaugural Prix François Coty in 2000, created classics such as Cacharel LouLou EDP, Calvin Klein Obsession EDP and Hermès Concentré d’Orange Verte EDT.

Aurélien Guichard
IMAGE: Matiere Premiere.

So why do I rate Matiere Premiere so highly? The name of the company (French for “raw material”) says it all. From the product descriptions on the website – no flouncy, self-indulgent stories – to the scents, Aurélien Guichard lets his way with quality ingredients speak for themselves. The result: distinctive creations (some of them already genre bests) that offer excellent value for money.

Aurélien Guichard - Matiere Premiere Bois d'Ebene EDP

You come from a Grasse-based family that grew jasmine and roses for perfumers. Did you know at a young age that you wanted to become a perfumer? Or was there another career path you also considered?

I grew up in a family of perfumers. Almost everyone around me in my childhood was either a perfumer, a sculptor, or an artist, so I grew up with a beautiful vision and an aesthetic environment. Before I decided to pursue this profession, it was instructive and inspiring to witness both the joys and the sorrows of these creative fields.

If I hadn’t become a perfumer, I would have loved to be a professional athlete (if I had had the talent for it); my second passion was field hockey.

Overall, what has always interested me the most is working with people from different countries and horizons, whether through creation, sports, or professional collaborations.

Aurélien Guichard - Matiere Premiere Neroli Oranger EDP

Your father, Jean Guichard, was also a great perfumer. How did he influence you?

My father influenced me with his discipline, work ethic and vision of this profession. He saw perfumery more like poetry rather than an industry; he taught me quality is intricately tied to craftsmanship.

“My father he taught me quality is intricately tied to craftsmanship” – Aurélien Guichard 

Other people have also left their mark on me, particularly my grandparents, who instilled a love for the land and the gifts of nature in me. My mother, a sculptor, served as an example in believing in the power of my creative intuition.

Finally, all the people I have had the privilege to collaborate with over the years, especially the couturiers, have played a significant role in shaping my journey.

Jean Guichard

Where did you study?

I come from the south of France, but I grew up in Paris. I’ve always been drawn to expansive topics, which led me to pursue my studies abroad. I completed my university education in England and later studied the art of perfumery at the Givaudan Perfumery School in France. I felt the need to explore other cultures and work with people from different backgrounds and experiences.

Aurélien Guichard - Matiere Premiere Cologne Cedrat EDP

How did your fine fragrance career get going?

I was fortunate to begin my journey with people who believed in me. At the age of 23, right after graduating, I had the privilege of creating fragrances for Guerlain and Nina Ricci.

The essence of creation and the magic of it lie not only in crafting perfumes but also in the intuition of the brands that we, the perfumers, collaborate with. It’s important to trust young perfumers to compose fragrances for the big houses. It doesn’t happen so often these days.

Guerlain Aqua Allegoria Anisia Bella EDT
IMAGE: Guerlain.

Is there a perfume that has special significance for you and why?

Many perfumes have unique stories which make them special in my eyes. But Matiere Premiere Radical Rose is a dream come true to me: cultivating my own centifolia roses, extracting absolute from my flowers, incorporating the absolute into one of my formulas, and finally, bottling the creation under my own brand.

You launched Matiere Premiere in 2019 and have made a big impact already. Had you wanted to start your own company for a long time? Has it given you more creative freedom?

I have always felt a great sense of freedom, even when working for other brands. However, my desire to establish Matiere Premiere came from an aspiration to create a complete expression of my tastes and desires. At Matiere Premiere, I am both the perfumer and the artistic director, which allows me great freedom to bring my vision to life.

Aurélien Guichard - Matiere Premiere Falcon Leather EDP

One of the things I love about Matiere Premiere are the succinct, no-nonsense perfume descriptions on the website. Is that a deliberate approach to avoid the over-embellishment and elaborate stories?

That is exactly it. The goal is to present perfumes in a factual manner and share my olfactory intention in a minimalistic way, without embellishments. The concept of functionality is crucial in that sense. It’s important that there is a truthful connection between the narrative and the creation; I want people to understand what they’re wearing.

“The goal is to present perfumes in a factual manner and share my olfactory intention in a minimalistic way, without embellishments.” – Aurélien Guichard 

I compose Matiere Premiere fragrances with a round construction – creations are linear, instead of being built around top, heart and base notes. What you will smell immediately after spritzing effectively stays the same for hours on end.

Aurélien Guichard - Matiere Premiere Parisian Musc EDP

You have the distinction of being the only perfumer to own and produce his own rose centifolia on the family-owned farm in Grasse. Does that come with great responsibility?

Absolutely. In addition to roses, we also cultivate tuberose and have just begun lavandin in February 2023. This comes with a real sense of responsibility – running a flower farm is a complex and beautiful enterprise, as you work with nature every day. I have reconnected with families of workers that have collaborated with my family for generations.

And I have also decided to bring our farming activity into the future with organic farming techniques, so we are Ecocert certified. Finally, my goal as a farmer is to bring a sense of truth to my creations – it’s almost like adopting a more purist approach.

“My goal as a farmer is to bring a sense of truth to my creations – it’s almost like adopting a more purist approach.” – Aurélien Guichard 

Matiere Premiere French Flower EDP Tuberose
IMAGE: Matiere Premiere.

How is that rose centifolia featured in Matiere Premiere Radical Rose?

Radical Rose is the fragrance that contains the highest possible concentration of rose centifolia from the Grasse region. We really pushed it to a maximum. Overdosing on the rose meant I had to emphasise its positive facets while tempering any less desirable notes.

It was about maintaining richness and complexity, with luminous notes at the beginning – saffron and Jamaican pepper – and avoiding the slightly oldish facets of the rose. Which is why we chose the cistus note, which captures the scent of rose resin that lingers on your hands after harvesting rose centifolia.

Matiere Premiere Radical Rose EDP Centifolia Petals
IMAGE: Matiere Premiere.

While natural materials are central to Matiere Premiere, of course you also use synthetics such as Ambroxan… 

Matiere Premiere is a perfumery with a distinctive style. While each fragrance is unique, they share a common olfactory DNA.

I use an overdose of a natural ingredient which I then facet with either natural or synthetic elements. Both work equally, although the perfumes contain between 85% and 92% natural ingredients.

Aurélien Guichard - Matiere Premiere Crystal Saffron EDP

I’m particularly enjoying the exuberance of Matiere Premiere French Flower. Anything unusual about its creation?

Working with a primary raw material often means that beautiful classics have already been created around it. Take Robert Piguet Fracas, for instance, a masterpiece. Hence, my challenge as perfumer is to offer something new and propel the fragrance into uncharted territory.

Tuberose-based perfumes often tend to be dark, black, opulent, almost dangerous. With French Flower, we took the opposite route: it’s a luminous, radiant and clear fragrance. What makes it almost unique in the world is that we use French tuberose and, of course, we are happy that it’s one that we grow ourselves. Olfactively speaking, French tuberose is enveloping, solar and expansive, while Indian tuberose is greener and harder.

The idea of French Flower was simple: to recreate the scent of our tuberose field at night. This is why I chose to combine two extractions of tuberoses, an absolute and an enfleurage, and no other white flower but a hint of orange blossom. It’s one of the most beautiful scents in the world – almost an olfactory shock.

Aurélien Guichard - Matiere Premiere French Flower EDP

You’ve recently launched Matiere Premiere Vanilla Powder. I see you sourced vanilla absolute from the Fair for Life agricultural programme in Madagascar. Why is responsible sourcing so important to you?

At Matiere Premiere, sourcing is my first act of creation. The quality of the perfume is linked to the sourcing in many ways. We always prioritise olfactive excellence, but we also consistently favour ethical and organic productions, striving to find the best producers providing the best quality.

The future of luxury lies in the access to high-quality raw materials. Ethical sourcing is the luxury of today and tomorrow.

(See my thoughts on Matiere Premiere Vanilla Powder at the end of this interview.)

Aurélien Guichard - Matiere Premiere Vanilla Powder EDP

How do you juggle your roles as perfumer at Takasago and founder-perfumer of Matiere Premiere?

I’ve found a balance between the two roles. When working at Takasago, it’s about being at the service of a brand and its creative universe — couturiers, marketing directors. When I work for Matiere Premiere, I work at the service of natural ingredients. These are two different approaches that I equally enjoy.

“When I work for Matiere Premiere, I work at the service of natural ingredients.” – Aurélien Guichard 

Additionally, I’m working on expanding our farm near Grasse. This gives me the opportunity to work in a totally different environment. Working in various contexts and locations around the world is a privilege, a chance to practise my craft in a completely free manner. If I feel free, fulfilled and happy, it’s also because I’m fortunate to work with fantastic teams.

Aurélien Guichard - Matiere Premiere Vanilla Powder EDP

At Matiere Premiere, my two incredible co-founders enable me to bring this project to life. At Takasago, I work with great teams in a very stimulating environment. Lastly, in the agricultural context, there’s this love of the soil, of nature, with passionate people working alongside me… I am very lucky.

Aurélien Guichard - Matiere Premiere Neroli Oranger EDP

***MATIERE PREMIERE VANILLA POWDER EDP IMPRESSIONS

Vanilla is a spice. In case you were in any doubt about that, Matiere Premiere Vanilla Powder makes that point clear with sustainably sourced vanilla absolute from Madagascar at the heart of this 2023 release.

In this EDP, it’s also creamy and somewhat sweet without tipping over into obvious gourmand territory (although you might feel hungry while wearing it), with warm tropical undertones from coconut powder.

Matiere Premiere Vanilla Powder EDP Vanilla Bundles
IMAGE: Matiere Premiere.

If you pick up something slightly fresh and spicy that would be the trendy palo santo (sourced from Ecuador, Spanish for “holy wood” and used for its healing properties when burnt as incense) at work in the composition. It can be domineering, but Aurélien Guichard keeps it in the background to make the most of the richness of his star ingredient, with additional powderiness provided by white musks.

Aurélien Guichard - Matiere Premiere Vanilla Powder EDP

The result is smooth, comfy, distinctive and a timely addition to a genre that’s always been a perfumery mainstay but is particularly popular now (Tom Ford Vanilla Sex, anyone?).

Matiere Premiere fragrances are available in South Africa from Skins Cosmetics.